Le grandi sfide di Kubrick - Barry Lyndon e lo Zeiss Planar 50mm 0.7
To shoot Barry Lyndon, Stanley Kubrick used some of the most extreme lenses ever made: the Zeiss Planar 50mm f/0.7, originally designed for NASA. In this video, I tell the story of this extraordinary union between photography and cinema — and the result is truly remarkable.
Previous
I 25 migliori piani sequenza della storia del cinema - in un unico piano sequenza)
Next
